Category Archives: Words

Under the street lamps of my park.

It must be lib­er­at­ing to be up at this hour, run­ning about in rags through the park, kick­ing at phan­toms and flies, stretch­ing under the watch­ful gaze of the few still func­tion­ing street lamps. I look down from behind glass and over the wall and long to steal a bit of his free­dom. What would

I forget.

We are made up of our expe­ri­ences, what hap­pens to us, what we hap­pen. That is why mem­ory is a door. We enter, we exit. The mur­derer, who can for­get his acts of vio­lence, is no longer a mur­derer. When I see her stand­ing there weep­ing, paint­ing her young face caged, I walk over and

fault line

There is a fault line run­ning between my shoul­ders and the base of my skull. This would not be a prob­lem, it is not active; except for the many peo­ple liv­ing alongs its invis­i­ble divide, set­ting up homes, plant­ing trees, play­ing coop­er­a­tive games; except for those times I stomp from this place to another, hand

Incomplete…March 9 2011

A stair­case always goes down, never up. Winged bats and books snatch­ing up dreams as they pass by And you would think it was a hunt But it’s not. Acci­den­tal destruc­tion, we have to make up sto­ries To tell us oth­er­wise. Sto­ries, fic­tion, blurry tapes­try on blank walls all around. I hear the huat huat of

No Snow

Those crys­talline orna­ments I knew as a child Don’t cover up any­thing in this dry, hate­ful heat; No merry-lolling in these streets— Some­where, a deep-throated war­bler, insa­tiate, sighs. This is what I was told would hap­pen —har­bin­ger Of clogged cloaca and those unfin­ished night­mares That dis­ap­point and leave one bare Before new day’s start and

Thoughts from a Convent in Sucre

All of these reli­gious men hang­ing upon walls. With­out words, lines, splashes of colour what legacy, what great­ness is theirs? We err. Impacted by the loud, the colour­ful, the lumi­nous; stone­flies; we have no say. A philoso­pher is a harp lulling us to sleep. A priest, a splin­ter of flax. And I, well, what am I? I

Character Sketching

As a man, I can­not com­pare the rev­e­la­tion of a char­ac­ter to the giv­ing of birth. As a father, how­ever, I can speak of the joy and pain of watch­ing these char­ac­ters grow up, a piece of myself woven into each one. The seed of the world around me, the peo­ple close and far that I

Better I be silent

This desk is an amal­gam of children’s wishes, per­sonal reminders, lit­er­ary moti­va­tors and reli­gious tra­di­tion. Like its clut­tered draw­ers and scat­tered shelves, these four com­po­nents attempt to pro­vide orga­ni­za­tion and sep­a­ra­tion to ele­ments of life that are insep­a­ra­ble. My life is a study in sep­a­ra­tion, divi­sion, secrecy. Beneath the clut­ter is a sim­plic­ity that, with

What he does, every day

In the morn­ing, evad­ing echt, he stands one­footed in a dark room. When the world awakes, he puts his foot down and steps in to the light. This, he does every day. The dark room, it is draped with sym­bol­ism, a gold­flame so long an ubi­ety that what­ever it might have stood for is for­got­ten. Until

The Writer

The ménage and mes­suage of the writer are con­stantly chang­ing. Once, open, empty so thoughts echo off unseen bound­aries return­ing as sub­tle, novel sug­ges­tions. Again, occlu­sive mine-shafts, crowded for­eign tongues vying for a madman’s rea­son. It is not a process: there is no begin­ning or end, birth-death. It is not a moment. It is a